IBC Show 2014 Roundup!

What a week it was! There was no doubts we would be busy filming and editing videos for The IABM to release, but not on the scale we anticipated! Overall, Adam Plowden Videography captured and produced at least 8-10 videos each day, an incredible 6 times more video content delivered in one week than previously in the whole of 2013!

adam plowden videography at ibc 2014 show manfrotto adam plowden videography at ibc 2014 show manfrotto2 adam plowden videography at ibc 2014 show manfrotto3

I did include a run-down of my kit choices before I left, but here is a quick summary of my chosen equipment to capture the IBC Show:

Manfrotto 546GB twin leg tripod with a 504HD head (A Cam).

Canon 5D mkIII, Tamron 24-70mm, Sigma 70-200mm, Samyang 14mm, 35mm, 85mm, Canon 100mm L.

Manfrotto 755CX3G tripod with a MVH500AH head (B Cam).

Canon 60D, Tamron 17-50mm, Canon 50mm.

Manfrotto Hydra Arm and super clamp.

Zoom H6, Sennheiser ENG-G3 RxTx kit, Roto-mic.

IBC 2014 equipment for IABM filming adam plowden videography manfrotto obs olympics

(This is the kit we took each day to film with!)

I had to have the above tripod gear after testing them out at my Manfrotto Takeover day, I was impressed by the fluidity of the 504 head when using it with telephoto lenses (as you can see above), however for lightweight, portable and quick ‘run and gun’ filming, the 755CX3G is a cracking go to set of legs. (Pictured above with the ProMediaGear Arc-Slider) and 701HDV head.

My main camera was: Canon 5D mkIII, and I was frequently using the Tamron 24-70 F/2.8 VC and Sigma 70-200 F/2.8 DC OS for ‘go to’ lenses around the show. They have a stabilizer in the lens, which means that shake and wobble can be eliminated. I also purchased the Canon 100mm F/2.8L macro lens before the trip for detail shots, but I fell in love with it for capturing everything; crisp and beautifully shallow portraits too.

adam plowden videography at ibc show 2014 canon 100mm macro l series sony professional interview

For establishing and wide shots, the Samyang 14mm T/3.1 cine lens came into it’s own. On a full frame camera it has a huge wide angle view allowing to capture the biggest of expanses with clarity.

museumplein iamsterdam canon 5d mkiii samyang 14mm tourism wide adam plowden videography IBC show 2014

Day 2 – Thursday 11th September – Welcome to IBC

Things are gearing up at the RAI; exhibitors are flooding through the doors, the stands are quickly being finished and the equipment is on display. IBC Show 2014 is getting ready to open its doors to 50,000 broadcasting, media and IT professionals from across the globe. We began filming the exterior the the RAI with visitors entering the venue and registering in the main foyer; the arc slider and 14mm lens create a wonderful moving perspective. After a short explore around hall 10 and 11 we made our way to The IABM Members Lounge to film an exclusive interview with Peter White, CEO of The IABM.

The IABM is a global broadcasting organization, representing nearly 80% of the broadcasting industry. The members have access to an exclusive members lounge, the IABM business conference, design & innovation awards and much more. It was our job to capture the events, conferences and members at IBC to promote and inform others about the successes at the show. For the interview, I used the Canon 5D mkIII, Tamron 24-70mm, the B cam was a Canon 60D with Canon 50mm F/1.8. For a reliable audio source I used the Zoom H6 (multi-channel recorder) with the MS mic attachment, as well as the Sennheiser ENG-G3 wireless mic kit; this was so I could attach a lav mic on the interviewees for clear sound.

Yes, this did mean throughout the week we had different video and audio sources, but Red Giant Pluraleyes aided greatly in syncing up the V&A for editing in Adobe Premiere Pro CS6.

BTS editing IBC IABM intro video amsterdam

Editing the IBC Intro video with Peter White on my laptop, yes, Windows laptop!

After capturing the buzz and excitement of pre-IBC, we headed back to our hotel to edit the intro video for the IABM members to see. The editing was fast, but the uploading was terrible via Wi-Fi, having learned our lesson, we uploaded the rest of the videos in the press room at IBC instead! Unfortunately, the video is only viewable for IABM members, so here is a quick screenshot.

iabm intro video at ibc show 2014 adam plowden videography

Later on, we ventured out into the city of Amsterdam. It was Glen’s first time, so I look him for a tour around the sights.

Glen in Amsterdam for IBC show with adam plowden videography

Day 3 – Friday 12th September – IABM Business Conference ‘The Future of Broadcasting’ and member interviews.

It was an early start on Friday, we arrived at the RAI for the IABM business conference at 6:45am to set up and capture the members breakfast, the conference and the post networking before the show got underway that day. For added motion, I used the ProMediaGear Arc-slider for some of the opening shots, but the main conference was shot on 3 static cameras.

iabm business conference at ibc show by adam plowden videography

For a mid shot of the speaker, I shot on the Sigma 70-200mm, and for a wide I used the 60D with the 17-50mm. Glen was filming from the front for a reverse angle on the 60D and Canon 100m L, which captured some stunning reaction shots of the attendees in low light. Unfortunately, this video is only available to watch for IABM members.

As our responsibility was to capture and edit videos for a same day or next day release, our two man filming team split so that Glen could begin ingesting, backing up and editing the conference video while I went out into the show and interviewed a number of IABM members. This turned out to be a godsend tactic to release a stream of high quality videos each day. It was, however, difficult to keep track of all the media from SD and CF cards…

That day, I filmed interviews with Georacing, Harmonic, Nexidia that we edited out for same day release:

I then jetted off to The IABM stand to meet the new winners of the Student award from The IABM (I won last year), to capture some interviews with them about their study and what they are looking forward to at IBC!

iabm student award winners ibc 2014 adam plowden videography

Day 4 – Design & Innovation Awards and member interviews

We were already half way through our IBC experience when Saturday struck, after a successful few days of filming and editing we geared ourselves up for a long day ahead. The day begun with a selection of IABM member interviews from around the show, including; Blackmagic Design, Avid, Newtek, Sony and many more. If you have been to IBC or NAB before you’ll know how long it takes to get from one place to another, but with video kit it was a challenge to navigate around the thousands of people at the show!

I had a great time at the Sony booth, interviewing Peter Sykes about the new innovations; camera, 4K transmission, projectors, storage devices. They can be seen here:

I was intrigued by the Sony A7s, a full frame SLR with great low light and DR features.. There was lots of hype around the camera, and I had noticed a lot of the News Shooter guys using them with Atomos Ninja/Blade recorders (we were working next to Dan Chung and News Shooter in the press room), they rated it very well in a variety of conditions and shooting styles.

Bad luck struck on Saturday afternoon… My Canon 60D and 14mm cine lens was capturing a timelapse when it was moved/taken/stolen from where I left it.. Knowing that this would impact the video production of the D&I awards I quickly got help from RAI security to try and locate it. No luck, so later on that afternoon I borrowed a camera from an IABM member to capture a static wide shot of the awards ceremony. Luckily, when I arrived home I got a call from the RAI security who informed me they had found my camera!

canon 60d 14mm cine lens timelapse adam plowden videography ibc 2014 wohler interview at ibc 2014 for iabm adam plowden videography vidigo interview at ibc show 2014 iabm adam plowden videography

We then got set up and prepared for The IABM Design and Innovation Awards 2014, celebrating and awarding outstanding technical developments in the broadcasting and media industry. Before IBC I edited and produced the 9 nominee category videos and graphics presented throughout the awards. Using the same setup as the IABM conference (A cam – Tele, B cam – wide, C cam – reactions) we captured the night in full, showing the excitement and buzz around winning the awards. I got to have a quick chat with some of the winner companies too!

I edited together the highlights of the IABM Design and Innovation Awards, which can be viewed here –

The individual winner interviews can be viewed here:

Systems – VidiGo

Testing – Cube-tec

Storage – Ardis

Post Production – Quantel

Playout – Elemental Technologies

Content + Infrastructure – NTT Electronics

Audio – Sennheiser

Acquisition + Production – Trimaran

The realities of working 12-14 hour days were catching up with us when we returned to our hotel to ingest and back up the footage. Finally, but 1:30am on Sunday all of the footage was synced and ready to be edited. At that point, we both thought its time to call it a day.

iabm design and innovation awards 2014 ibc show adam plowden videography adam and glen design and innovation awards 2014 ibc show adam plowden videography

Day 5 – Delivering D&I Award Videos and member interviews

By Sunday, the main haul of event capture had been completed, with the remaining tasks being mainly interviews with members around the IBC show. As our editing ‘system’ had worked so well previously, Glen stayed in the press room using both our laptops to edit, export and upload the winner videos from the awards while I conducted interviews with more exhibitors and IBC members.

I had a great time at the Atomos booth interviewing Jeromy the CEO about the new Shogun for 4K recording and the power pack!

Atomos Interview –

jeromy atomos ceo at ibc show 2014 iabm interview adam plowden videography

Later that day I bumped into Joe, my old uni housemate  who was visiting the show for a day. Later, Glen and myself went for Mexican for dinner and met up with our hotel receptionist, Klaudija for a few drinks in Vondelpark!

adam and joe ibc show 2014 videography adam and glen mexicans

At this point, I was completely over my missing 60D and the tiredness. Visiting IBC and Amsterdam for work is a very rare opportunity, so we plowed through and continued to produce great day by day coverage of the show for The IABM. Glen, bless him saw less and less daylight each day!

adam out filming interviews at ibc Glen and Adam at ibc

Day 5 – Rising Stars and more member interviews

Arriving at IBC a little later than usual, Glen and myself parked up the the press area and set up the laptops to upload the previous days interviews to vimeo. Before we headed out to Steve Warners talk at Rising Stars I bumped into Nino Leitner who was off to Photokina that afternoon, so I grabbed a quick pic! Nino had been very busy with Cinema 5D coverage of the show producing their ‘On The Couch’ series with Philip Bloom, HaZ Dullul and more.

adam plowden and nino leitner ibc show 2014

At this point, we had captured around 350Gb of video footage and delivered numerous interviews and event videos for The IABM, they were very pleased! We headed over to The Rising Stars lounge; a part of the show dedicated to young professionals in the industry where Steve Warner (training manager of The IABM) was doing a talk on CV’s and representing yourself. Even for me, it was quite interesting to hear what recruiters actually look out for and research!

steve warner iabm training manager talk rising stars ibc 2014

Catch the full video here –

The team then split so I could conduct some interviews with The IABM student award winners, and with a couple more members for The IABM annual conference in December. It was a short and sweet day; shooting multi-cam on talks and conferences made editing fairly straight forward so we were able to deliver the videos pretty much on the same day. Glen did an awesome job and editing videos out quickly. while I was filming more content!

Day 6 – Last interviews

Day 6 was our opportunity to capture the last interview and glimpse of the show until next year. As we were interviewing members and covering events, we didn’t get to see that much of the show itself, but made time to visit some cool stands before we left on Tuesday afternoon.

We visited the Ross Video stand, to interview Pete Ross for The IABM annual conference, it was interesting to hear about how the company developed the first vision mixers and lead the way for broadcast production throughout the 20th century, definitely worth recognition.

adams last day at ibc on the tram in Amsterdam

adams last day at ibc on the tram in Amsterdam

the Amsterdam RAI, home of IBC

the Amsterdam RAI, home of IBC

Ross video stand at ibc show

Ross video stand at IBC show

Ross video stand at ibc show2

Ross video stand at ibc show2

saying goodbye to the IBC press room!

saying goodbye to the IBC press room!

Glen at IBC

Glen at IBC

Adam at IBC

Adam at IBC

Glen and Adam leaving IBC 2014 for the last time!

Glen and Adam leaving IBC 2014 for the last time!

Well, what an incredible time it has been.. We captured over 400Gb of footage and audio, combined with hours of graphics produced before the show. We delivered (and are continuing to deliver) over 55 videos online for The IABM. What a show, what a success! My huge thanks go to the other half of the team, Glen Symes for his help and dedication to getting the videos out, and dealing with my stresses of production and post throughout! Also thanks to The IABM for giving me the opportunity to cover The IBC Show 2014 for you.

Ooh, I almost forgot I stopped by the Vitec Videocom stand to say hi to the Manfrotto reps and return the tripods and grip we borrowed for filming. While we were there I asked Sofia for a short piece to camera on the new Manfrotto tripods and kit; I was over the moon to hear a new follow focus has been developed to go with the SYMPLA rig!

Check out the video with Manfrotto here –

I’ve met up with old friends, and made many new ones. My experience has been overwhelming this year, now I cannot wait to do it all again at The IABM Annual Conference and hopefully IBC 2015! If you have any questions about how we produced the videos, or IBC then drop me a tweet @Plowman91 or comment!

I’m still editing and uploading more videos, so keep updated by checking out The IABM website for more videos and content, and I will have an IBC 2014 wrap up video coming soon. UNTIL NEXT YEAR!

 

Summer Update!

It has been a very wild summer for me, lots of productions and shooting and plenty of editing! Going back to the end of July/beginning of August, I was deep into the wedding season with JHWF, filming weddings from Ashford, Kent to St Johns College Cambridge. I also got to fly the companies DJI Phantom II Drone with a GoPro Hero 3 and Zenmuse 2D gimball, it was incredible fun (for a first timer)!!

Wedding at Eastwell Manor (Kent) via JHWF.

I also did the Ice Bucket Challenge;

I spent most weekends out filming weddings, where I got to try out my new Pro Media Gear Duo slider; it is simply a 2ft straight slider with a curved track on the reverse side. Honestly, it is so simple I don’t know how companies didn’t think of it before! It is extremely easy to use and is lightweight, my 5D and Sigma 70-200mm smoothly slides along the track. It sits on a removable carriage (so you can flip the slider over) with four plastic castors. 100% recommended, I purchased directly from them in the USA, it came within the delivery time (3 days) and is cost effective in comparison to similar track based sliders out there.

I mount the slider onto my Manfrotto 755Pro-B tripod (without a video head) using the clamp accessory which holds it firmly in place. This is on my IBC kit list!

Pro media gear duo slider

I also helped out director HaZ Dulull on the production of his new short film ‘SYNC’, it took place in an underground car park in Southend with a bunch of SWAT guys, two massive SUV’s, Blackmagic Cinema Cameras and a Production camera. It was a great day shooting, operating the camera and jib for some shots was awesome!

SYNC film shoot

Crew pic!

SYNC film shoot crew pic

Going back a couple of weeks, I was editing the Epsom and Ewell Borough Council Health and Wellbeing videos which involved writing up captions and mastering the audio levels as I’m quite near completion. I was offered the opportunity to get some more footage of the activities that the Wellbeing Centre offers for those that suffer with dementia including tennis and Japanese mind games. I took up the offer to get some more footage for future council projects.

wellbeing tennis wellbeing tennis2

wellbeing tai chi

It was a hot and bright couple of days, so I used variable ND filters on my lenses to bring down the exposure without reducing the 5D’s electronic shutter; a great tip for keeping motion blur realistic. I shot mostly on the Sigma 70-200 F/2.8 OS as it does a wonderful job of isolating subjects from the background. A great lens choice if you don’t have red ring fever!

I was also working on the graphics and animation for the EEBC Telecare video; I designed the graphics in Illustrator and Photoshop, then animated in After Effects in a hipstery style using shape layers, pastel tones and lots of easing!

I got some fantastic news towards the end of August, The IABM decided to go for me as their event videographer for the IBC Show and annual conference! Leading up to IBC I have been preparing a number of videos and graphics to be used and shown throughout the show and at a variety of awards, such as The IABM Design & Innovation Award.

I can’t show you much at the moment as everything is under wraps until the events at the conference, but I can show you the title sequence for the videos. It’s made in AE using some of the pics I took around the expo last year and other general press images from IBC.

After being WOW’d by the Canon 100mm F/2.8L Macro lens at my Manfrotto Takeover day, the thought of owning one has been rattling around my head since.. I was hopeful with the Sigma 105mm, but the Canon provided the next step up in terms of stabilization, auto focusing, and personally I just preferred the feel of it. I will be using the lens throughout IBC so keep checking for dedicated pics, videos and more!

Canon 100mm f/2.8L macro lens Schneider Kreuznach 35mm cine prime lens optic Manfrotto takeover 1 Schneider Kreuznach 35mm cine prime lens optic Manfrotto takeover 2

(The above photos of Schneider Kreuznach Xenon Cine Lenses taken on the Canon 100mm F/2.8L Macro by Adam Plowden).

I also booked my first wedding for January next year, so I met up with the couple ‘Sarah and Matt’ for a pre-shoot at their venue with Ash (who recommended me, thanks!!). I got some beautiful footage of them in the setting sun, here is a tiny teaser 🙂

One day to go until Glen and I leave for Amsterdam to film the IBC Show for The IABM, I did a quick vlog for you, an update on the kit, what we’ll be covering. I will be releasing videos most days, blogging and tweeting lots to share the news from the conference, so remember the keep checking for updates! I’m hoping to catch up with PB and Nino Leitner too 🙂

Here’s the low down on my kit list:

Canon 5D mkIII

2 x Canon 60D

Tamron 24-70mm F/2.8

Sigma 70-200mm F/2.8

Canon 100mm F/2.8L

Samyang 14mm T/3.1

Samyang 35mm T/1.5

Samyang 85mm T/1.5

Canon 50mm F/1.8

Nikkor 50mm F/1.4

Manfrotto SPECTRA Bi-colour 900FT

Manfrotto SPECTRA 500F

Zoom H6

Pro Media Gear Duo arc slider

Roto-mic

Sennheiser Wireless ENG-100 Rx-Tx

Adam Plowden Video IBC kit

I’m picking up some tripods, heads and a magic arm-super clamp from the Vitec team tomorrow, they are doing me a huuuge favor so thank you Dave, Mark and Siobhann from Manfrotto/Vitec!!

Here is something I’ve been checking out; If you love motion graphics and After Effects, then definitely check out The School Of Motion ’30 Days of AE’ tutorials, a range of in depth tuts ranging from objects to typography; check it out to learn something! http://www.schoolofmotion.com/

Right, I’m up at 3am to fly at 6. You will be reading the waffle of a very tired Adam tomorrow! Keep on following for more;

@Plowman91

Adam’s Videos

Adam on Facebook

Oh and I made this for a mate too:

 

 

 

 

 

New VLOG coming tomorrow!

I’m doing a new VLOG tomorrow, hosted by myself and Glen Symes as we cover the IBC Show for The IABM. We’ll be giving the low down on our kit choices and capturing the events, news and products from the expo and conference floor.

We depart on Wednesday for Amsterdam where I’ll be catching up with Steve Warner (IABM Training), Nino Leitner (Cinematographer and Cinema5D), HaZ Dullul (SYNC) and many companies including DJI Phantom, Schneider Kreuznach, Sony and many more.

You can keep up to date here on the blog or –

Facebook – Adam Plowden Video

Twitter – @plowman91

Vimeo – Adam Plowden Video

Ooh, I got the Canon 100mm F/2.8L Macro lens, and the Peak Design Leash too 😉

Also been trekking on with the graphics for all of The IABM video content, a little teaser for you;

IBC IABM video teaser still

 

New summer post coming very soon!

It’s been an extreme summer season! From epic weddings with drone flying to creating the videos for The IABM for IBC, it has been immense.

Epsom and Ewell from the air, Adam Plowden Video

Epsom and Ewell from the air, Adam Plowden Video

Now nearly 9 months since starting Adam Plowden Videography properly, I am over the moon with the great clients and people I’ve worked and am working with.

I still have a number of productions on the go, and I will be attending The IBC Show in September so there is much more great stuff to come!

Massive shout out to the team over at Manfrotto who have been a great help with sorting out equipment for my travels abroad!

Keep those creative juices flowing!

Success at the Manfrotto Takeover!

I had a great day at the Manfrotto Takeover on Wednesday at Park Cameras London, I hope all the visitors enjoyed their day too! I’m very busy at the moment, heading out to film a wedding today and tomorrow and have a growing collection of editing that needs to be completed too.. Better to be busy than to be sitting around doing nothing though!

Adam Plowden videography seminar manfrotto takeover park camera london

I got to test the new Schneider Xenon cinematography lenses on Wednesday too; built for 4K cine productions, the T/2.1 prime lenses have focal lengths of 35, 50 and 75mm with other models soon to be available, and I’ll be using them on my productions later on down the line. I was blown away by their performance, it’s like looking through a new pair of eyes.

More to come later! Keep creative!

Schneider Kreuznach 35mm cine prime lens optic Manfrotto takeover 1Schneider Kreuznach 35mm cine prime lens optic Manfrotto takeover 2

For those that couldn’t make the day, or my seminar on videography a podcast will be uploaded later when I get back from the wedding and I am putting together a highlights video of the day (shot on Panasonic GH4 in Cinema 4K and on 5D mark III with the Schneider cine optics).

What a WILD weekend!

It’s been another busy one!

Firstly, let me welcome all of the new followers to my blog! Thanks very much for liking previous posts and I hope you enjoy the future content and bits I post up here 🙂

Time is drawing closer to the Manfrotto Takeover at Park Cameras in London, I am preparing my seminar these next coming weeks so it would be great to answer any questions you may have about equipment, videography and post production; please get sending them through, and I look forward to seeing you on the 30th but remember to register!

Manfrotto Takeover!

Manfrotto Takeover

Here are some videos I’ve checked out this week for some inspiration;

The style of this animation is 2D yet very much 3D in its shading and motion.

Incredible BTS showing how OKGO made their viral one shot music video.

This hilarious video is definitely up there to watch, both on the comedy and the shooting.

The wild weekend began with a trip to Norbury Park near Leatherhead. I’m usually one to take my camera everywhere, but I vowed against it this weekend as I (strangely speaking) wanted to get to know my iPhone camera better!

Out Geocaching with Glen, we got a number of caches along the River Mole and up towards Great Bookham. I really recommend trips like this, especially if you are stuck behind a computer for long hours.. Getting out and walking has proven to boost creativity and the imagination! So, armed with my iPhone I snapped away using the camera app, it is a challenge to get the exposure you’re after with this basic camera!

Panoramic Box Hill Mickleham Surrey iphone photography country silhouette iphone photography daisies and sunset bookham silhouette walking iphone photography

 

On Saturday I headed up to Nether Winchendon House with Rob to film the wedding of Lorna and Lauri. The grounds of the house were stunning, a long, treed driveway leading up to three arches. Rob captured some great aerial footage on the drone and I shot from the ground.

back of nether winchendon house oxford bicester stunning wedding venue filming iphone driveway leading to nether winchendon house wedding filming iphone oxford bicester beautiful long driveway leading to nether winchendon house wedding filming

I used the Manfrotto 755 Aluminium tripod and the Edelkrone Slider+ v2, accompanied by the Samyang Cine primes and Tamron 24-70 on the Canon 5D mkII.

The flowers were beautiful;

peonies lavendar and mint bride bridal flower floral bouquet wedding film peonies lavendar and mint bride bridal flower floral bouquet wedding filming

The rain was not.. But didn’t put a dampener on the day! Despite the rain, Lorna made it to the church for a beautiful ceremony in the village. They lead the wedding party on foot back through the country lane to Nether Winchendon House for the rest of the day! Set in a stunning location, every detail had been considered from unique signposts to bean bags and a life size Stig. The intricacy of flowers in jars, photographs and bouquets hanging from a ladder in the barn, stunning to see and wonderful to film too.

Nether Winchendon House barn wedding reception breakfast room panoramic flowers table decorations wedding filming

It was a dream wedding on the filming side, and I’m sure there will be a highlights video very soon of the day!

On Sunday, after getting back quite late from the wedding I headed out to Friday Street (in between Dorking, Guildford and Horsham) for the day with Glen. We are quite lucky living here, in the way that forests and rural life is only a short distance away, and I like to make the most of it! We were out Geocaching and playing with Glens new remote control helicopter, which then instantly made me want a drone.. I guess a £1000 spend for the drone, gimball and GoPro equates to a £20 hand sized RC Heli, right?

foxglove wooded path friday street geocaching walk iphone photography lake near friday street geocaching walk iphone photography silver berch glade friday street iphone photography

Monday rolled around pretty quickly, and I was having withdrawal symptoms from not filming or photographing anything when I was out on Friday and Saturday.. So come Monday afternoon I was back at Friday Street getting some filming done of the lush green forest that surrounded me! I used the Manfrotto 755CX tripod, Sigma 70-200 F/2.8 OS, Rotolight Roto-mic and a few more lenses.

friday street nature landscape forest woodland photography friday street nature landscape forest woodland photography friday street nature landscape forest woodland photography friday street nature landscape forest woodland photography friday street nature landscape forest woodland photography canon dslr video filming sigma 70-200 rotomic manfrotto tripod

This week I’m working on the Soundbox studios opening video that I shot a few weeks ago, it will be edited to their flagship artists new single by Rebecca James. It’s going well, going for the black and white look as it works well with the dark studio atmosphere that they had going on 🙂

It was shot on the 5D mkIII with Samyang cine lenses, Flycam and the Edelkrone slider+ v2.

Soundbox music recording studio opening day video filming highlights

Remember, send over your video questions to get featured in my Manfrotto seminar, and share your work with me too!

What a few months it has been!

Blimey, my last post was a while ago.. Honestly, since then work has got heavy and much of my time is either spent behind the camera or the screen. One exception was the Manfrotto Pro Backpack50 review, shot by Glen Symes for me where I actually appear in a video!

Manfrotto pro backpack50 review video adam plowden and glen symes videography

Some of the things I’ve been up to range from filming quite a few weddings https://vimeo.com/98328657 to filming and editing for a series of videos on health and wellbeing.

eebc health and wellbeing video edit adam plowden videography

On the side, I’ve talked at EEHS about going through uni and starting a business, am preparing for my Manfrotto Tour videography seminar and other bits and bobs.. I’m sure if you follow me on twitter or facebook you’ll have an idea of the things!

Going back a few weeks, my main projects have been the EEBC Health and Wellbeing video series, and an animation on Telecare. This is a predominantly piece to camera series, with additional b-roll shots to add to the videos messages which range from stopping smoking, to eating a healthy and balanced diet. The standard production of information videos ensued, editing down from around 45-50 minutes to a concise 2 minutes providing the relevant facts and summaries on prevention. Editing in Premiere Pro, I used the very good Luma Corrector tool for exposure changes and a simple RGB curves adjustment for the colour temperature.

I find the Luma Corrector better to work with, as by adjusting the Gamma control slightly, it removes the washed grey look to push out the prominent shadows and highlights meaning that it is very simple to correct/match shots; especially as I filmed using daylight as my key.

adobe premiere pro screenshot luma corrector effect adjust exposure

As per the clients request I have also added subtitles, which I created using the dynamic link into After Effects (noting at this point that if you’re doing several stages of an edit, to duplicate the sequence you are working on before you start the next stage as Premiere and AE require you to save your work for updates to take place, meaning no Ctrl-Z/Command-Z to get back to a timeline with the clips rather than your ‘replace in AE linked composition’).

premiere pro dynamic link sequence editing

I was also out photographing flowers for a wedding, for the florist Madeleine Pink a few weeks ago too! Taken on a range of lenses with the Canon 5D mkIII (Tamron 24-70mm, Sigma 70-200mm, Samyang 14, 35, 85mm cine, and Nikkor 50mm).

Madeleine pink floral wedding flower photography adam plowden videography Madeleine pink floral wedding flower photography adam plowden videography button hole Madeleine pink floral wedding flower photography adam plowden videography button hole 2 Madeleine pink floral wedding flower photography adam plowden videography brides bouquet Madeleine pink floral wedding flower photography adam plowden videography table bouquet Madeleine pink floral wedding flower photography adam plowden videography table bouquet silhouette Madeleine pink floral wedding flower photography adam plowden videography table bouquet 2 Madeleine pink floral wedding flower photography adam plowden videography table bouquet 3 Madeleine pink floral wedding flower photography adam plowden videography table bouquet 4

Since then, I ventured into using Lightroom to edit the photos as well, still learning bits and bobs but found a range of fantastic presets here that create some great looks. I’d appreciate your thoughts on the photos and the looks as well, as it’s mostly stab in the dark/emotive based 😛

A couple of weeks ago I had the pleasure of filming Dan and Kelly’s wedding in Ashford + Foxhills where I met the awesome Ash; a unique wedding photographer! Check out the wedding film here

, and definitely check out Ash’s work over at Ash Darling Photography! Highly recommended by me 😀 and I believe I’ll be working with Ash soon on an up coming wedding, really looking forward to it!

 

Believe it or not, I have been doing some videography too! In between editing the health and wellbeing videos, and on the pre-production sketches of the telecare animation I spent a couple of afternoons in The Woodland Garden in Bushy Park; one of my favorite places to go to switch off work mode, relax and shoot some video for personal projects. I’ve named this one ‘Waterhouse’, it’s the name of the part of the garden where a balcony looks over a pond with a waterhouse to the left. It poses interesting thoughts to its original function, the bricks and foundations holding strong throughout years of use and bad weather. Virginia Creepers pursue to edge up its sides, gripping on to reach the sunlight through the tree canopy.

beautiful blooming purple Allium flower photography adam plowden video waterhouse

The edit is complete, but I am now working on a quirky hipster logo/title animation for the beginning of the video so as soon as it has been animated and comped into the footage I will upload!

The kit I used for the ‘Waterhouse’ video include; Manfrotto 755Cx-3 tripod, Edelkrone Slider+ v2, Canon 5D mkIII, Canon 100mm F/2.8 macro (hence why the shake on the slider is slightly more visible than without IS/OS, but I have used Warp Stabilizer where I can). Tamron 24-70mm, Sigma 70-200mm, Samyang 14, 35, 85mm cine, Nikkor 50mm. After using the Canon macro lens, I have totally decided to purchase the Sigma 105mm F/2.8 OS macro lens; firstly because of future video productions where a small minimum focus distance is necessary (product, people, detail shots), also it has optical stabilization which I found was needed when moving the camera and lens on the slider, and lastly its around £400.. Bargain!

 

Things I’ve learned so far from doing this kind of work;

  • Shoot with a widespread histogram (unless I wish to isolate the subject from shadows behind).
  • Lightroom is awesome, try playing with the presets I linked to work on the developer tools.
  • Regardless if it has been a long day filming, if you want to talk to someone, always, always, always do it!
  • I want a macro lens for intricate detailed shots, as my current range does not let me get close enough to the subject.
  • Take some hand held lights for kicks and fills; the venue room where the table decorations were photographed was very dark. With a tripod and a couple of lights I would have had much more control over the lighting composition.
  • Dabble in a variety of work types, to keep it interesting and different!
  • I need a slider for cinematic moving shots; I have made my choice; not the Edelkrone! There will be a whole blog post on this coming soon.

Behind the scenes of yesterdays Wellbeing videoshoot!

06:30

Kit bag, check.

Audio kit, check.

Lighting, check.

Brain, just about.

bts early morning sky

Yesterday I was out filming talking heads and some b-roll for a Wellbeing project on behalf of EEBC. Wellbeing is our general mental and physical health, but there are many factors in the way that we live that can affect our chances of developing serious health problems in the future. These include some sensitive subjects, that I was capturing to provide an information base for those in the community that may be suffering, or have friends and relatives of those diagnosed with; Cancer, Coronary Heart Disease, Dementia and Diabetes.

I was featuring nutritional expert Yvonne McMeel throughout the videos, so I began by planning my main piece to camera with her in the Wellbeing Centre.

This was a standard video shoot, so I packed my kit bag to be prepared with whatever the day would bring! This included;

VideoCanon 5D mkIII, Tamron 24-70 F/2.8 VC, Sigma 70-200 F/2.8 OS, Canon 60D.

AudioZoom H6, Roto-Mic, Sennheiser ENG-G3 100 wireless.

Grip Manfrotto 755CX3 tripod + MVH500AH, Manfrotto 190Pro-B (old version) tripod, Super clamp and magic arm.

Lighting – Daylight balanced 85W studio light with soft umbrella.

Extras – Lilliput 1018 (I am currently testing out and reviewing this product).

behind the scenes videography equipment

I took along the Lilliput 1018; the new flagship 10 inch touch screen field monitor, which produced crisp pictures and well represented colours. I ran this on a F-970 battery with HDMI through from the 5D, so I could monitor both. This did however cause the camera to heat up quite quickly. However, the monitor has awesome features usually found on high end products which include; exposure and focus peaking, on screen waveform monitors, levels and much more, which came in very handy for assessing the quality of the picture. (More coming later regarding this product).

behind the scenes make up artist Char1 behind the scenes make up artist Char2 Char doing her make up thang!

I began setup at 9am, shortly followed by Char the make up artist who set up her bits. The location for filming was the Wellbeing Centre, which as a wonderfully bright open facade with big doors and windows. Luckily enough, blaring heat and sunshine poured through the windows, so that was my key light at slightly cooler than daylight colour balance at 5200k. This also matched the daylight light fixture I was using to add a fill and kick to the subject.

 

Why did I use a 2-point light setup?

I could have rocked up with the intention of using just the daylight and the incandescent lights in the centre with the mentality that it will illuminate my subject well, but there are risks you have to be willing to take if you approach lighting in a casual way. Some points to remember when thinking about lighting your subjects;

  • Are they defined from the background?
  • Do they have harsh shadows on their face?
  • Moving sunlight will change throughout the day, in brightness, direction and colour.
  • bts wellbeing light setup

Now, when you haven’t been to the location before it is difficult to judge the lighting conditions, so firstly if you can have a RECCE of the location. It is very beneficial as you can begin to compose the scene, judging the internal and external lighting, now noisy the environment is, whether you will need a backdrop instead of a plain background.. All points to consider before you turn up with the camera kit and begin filming.

Defining the subject from the background is what makes them look 3-dimensional and not flat, this is the same for the shadows too as it shows that features are visible on the face. With DSLR’s it is possible to use depth of field to define your subject from the background, but lighting can also be used to ‘pop’ the subject out of the BG.

Harsh shadows are caused by strong direct light, and are unwanted as they mask features and don’t represent the subject properly, unless this is the effect you are looking for. For piece to cameras and interviews having soft shadows around the nose show the features of the subject, again making them look real.

The sunlight is your best friend and worst enemy at the same time… As the Earth rotates, we move further away or closer to the sun which changes the lights direction; if you start filming in the morning with your subject lit from the front, by 12 noon the sun is over head and by the late afternoon the light will be behind you. To combat this, keep continuity by filming at the same times each day, or even simpler be aware of the suns direction and gradually rotate the subject and other lights to keep a constant illumination. For me, I was filming from 11am through to 15:00 with the sunlight to my left for the whole day which was very beneficial, but not every time will I be that lucky!

Watch out for clouds that can block the sunlight, and be aware of how the colour temperature of daylight changes throughout the day; cool in the morning and warm in the evening. For me, shooting in midday sun meant a constant temperature of 5200K for both cameras, matching the other light.

The use of a kicker or fill light, pushes out the shadows caused by the key light (the sun), and gives a halo effect to the hair of the subject making them stand out. The difference is subtle but effective.

 

Camera Setup and Composition

Once I had my lighting up and running, it was time to set up the cameras and audio equipment. I was going to shoot using the Samyang 35mm T/1.5 cine lens, but this would result in being intimately close to Yvonne, the subject, which would be quite off putting and may add shadows/interference such as me rustling papers to the recording. Instead, I used a telephoto lens as I can be a good distance away from the subject, and create a narrow field of view that frames up as an MCU (medium close up).

My main A camera was the 5D mkIII, and although the Sigma lens can open up its aperture to F/2.8 for shallow depth of field, this was not required for today. Instead, the camera was set to F/4.5 for a still shallow depth of field, but deep enough for the subject to move forward and backwards in the frame a little, and to de-focus the background. The ISO was set to 200, although when the Sun disappeared behind clouds I would ride the ISO to 250 or 320 depending. To stick to the 180 degree shutter rule, the electronic shutter remained locked at 1/50th.

The B camera was the Canon 60D, I paired this with the sharp Tamron 24-70 F/2.8 and shot wide open, again riding the ISO when required. I did this because this camera was capturing a wide shot of the subject, so depth of field was not noticeable. To keep continuity, both cameras were set to a white balance/colour temperature of 5200K, but it appears that the 60D picture is slightly yellow/green than the 5D picture.

behind the scenes camera dslr audio setup light

Audio

The often forgotten partner to the pretty pictures you see, having top quality audio is just as important as having your subject in focus and exposed. I used the Zoom H6 as my recorder, with the XY mic attached to capture one stereo recording. I also used the Sennheiser ENG-G3 wireless mic kit, attaching a lav/lapel mic to the subject which would be my main audio source. As a back up I also used the Rotolight Roto-Mic plugged into the 5D just in case. Remember to take headphones so you can monitor the sound recording, just like you would use the cameras screen to compose the picture.

Behind the scenes wellbeing video shoot adam plowden videography canon 5D lilliput

The filming went brilliantly. As a precaution I decided to use the ‘record to multiple card’ function in the 5D so I had a back up of the footage in case the cards got corrupted from such long recording times. As mentioned earlier with the lighting, as the light slowly changed, I also adjusted the position of the kick/fill to push back the shadows.

I was very impressed with the Lilliput 1018 field monitor too, and although it is larger than monitors I would usually use the touch screen control and diverse functions suited the shoot well, so I could keep a close eye on the changing light levels.

After the principal piece to camera filming was complete, I ventured out into Epsom and Ewell with Yvonne to film some b-roll pieces that would add to the information and dialogue about wellbeing and health. So, we visited Shadbolt Park outdoor gym, Ewell Court Library, Epsom’s Derby Square, we were going to hit the market but by that time it was 17:30 and no chance of finding fresh fruit and veg to film.. We returned to the car to go to the last location, Epsom Downs, when this happened…

adams broken down car

My car broke down. The filming day abruptly ended with a call to my insurers for recovery, while I also arranged a taxi for Yvonne to take her to the train station. That didn’t put a dampener on the day though, I had captured great video and dialogue that I hope will help many people in the borough and wider community who may be suffering with cancer, heart disease, diabetes or dementia.

I then ingested the footage, and backed up a whopping 80Gb of footage and audio.. Lots to edit through, but thankfully those wonderful geniuses at Red Giant have a tool called Pluraleyes which can sync video with externally recorded video, so suddenly the issue to matching up the audio to the video disappeared, saving me potentially hours of work!

pluraleyes un-synced A bunch of un-synced video and audio clips gets transformed into this –  behind the scenes pluraleyes sync video

Pluraleyes then allows you to export the sequence as an XML that I then imported into Adobe Premiere Pro to edit! It’s ready to go!

 

Overall, very happy with the footage and the outcome of the first day! I need to get out and shoot some more cutaways/b-roll of healthy food, socializing and some more bits and bobs to add.

Change of discipline today; photographer!

Madeleine pink table centre piece flowers Madeleine Pink table centre piece at Epsom RAC (Canon 5D mkIII, Samyang 14mm @T/3.1, 1/60’s, ISO 1600).

I am not a yes man. I will never say yes to doing something I haven’t had experience in, as it can just cause anger, frustration and disappointment from both myself and the client, especially if I don’t deliver what is expected.

Photography for me is one of those disciplines. Personally I am not a photographer, I don’t have an education or background in still photography apart from graphics and VFX, so I go against one of my own rules here purely because of the following reasons, that may be applicable to you too!

1) I learned videography and production on broadcast video cameras, transitioning to DSLR through the wedding film job I do; I was heavily trained and now 3 years on my 5D mkIII is my port of call. Many will be in the same position as me here and will follow the exposure triangle (aperture, shutter speed, ISO).

2) While at university, and still now I study cinematic and storytelling techniques (it wasn’t included in my Television and Video Technology BSc. course). Whether it be moving the camera or with a static shot, the composition of storytelling is a present and constant thought in my work.

3) I have prepared myself heavily with the correct equipment and research to use; high speed lenses, a range of lights to compose the image, building mood boards and finding out the clients requirements (as well as any inspiration they have that will add).

4) My client is very happy with what I produce, and if they weren’t they wouldn’t ask me to work with them again.

Note: I never advertise myself as a photographer.

That makes me confident to go out and take some photos of flowers for a florist, which I am doing today!

Madeleine pink table centre piece flowers Madeleine Pink table centre piece at Epsom RAC (Canon 5D mkIII, Tamron 24-70mm @F/3.2, 1/50’s, ISO 3200).

Transferring the skills from DSLR videography to photography have been easier for me, probably because I always shoot in manual, I love taking my camera out with me wherever I go, and the storytelling techniques of composing images are still present in photos like they are in video.

If however you find it a little more difficult, consult the exposure triangle, and keep a couple of things in mind;

Aperture – Wide open allows lots of light to enter, shallow depth of field. A narrow aperture reduces the light making the image darker, and creating a deep depth of field. Using focus and blur is one of the main tools the director uses to concentrate the audiences attention onto specific details.

Shutter speed – Controls the motion due to how long the sensor is exposed to the light. A fast shutter captures fast motion with minimal blur (sports and outdoor), a slow shutter means the sensor is exposed for longer, allowing the subjects to move in the frame while it is open, creating blur.

ISO – Digital noise added to increase the image exposure. Low ISO results in low noise, crisp images but with no added exposure, where high ISO will increase your exposure but will introduce digital noise that is more visible in dark situations.

Other key points to remember: White Balance/Colour Temperature – make sure your whites are white and your blacks are black. This depends on what light you are using, daylight for example is 5600K, but Tungsten is 3200K.

Make sure your camera is set to capture RAW and JPEG images to allow for greater definition when editing the pictures afterwards!

Madeleine pink table centre piece flowers Madeleine Pink table centre piece at Epsom RAC (Canon 5D mkIII, Nikkor 50mm @F/1.8, 1/50’s, ISO 1600).

It is worth a go if you are confident you can produce the images your potential client is looking for. Being a videographer not a photographer, I do not charge a standard fee to have me out for an hour and to post process the images later. This is for two reasons; I am a new business, and so is my client. Why out price your skills and make it a hard decision for your potential client to use you? Secondly, like I keep mentioning I am not a photographer and although I have rates and targets to meet financially, I see this more of getting out with the camera to be creative for an afternoon rather than a job.

Some points to consider if you are ever approached by someone who requires something different from your usual line of work! Do not forget to do your research though. Unfortunately I have had a number of experiences of photographers embarking on video without understanding the full production process, where I’ve been asked by their client to correct the mistakes.. So if you’re a photographer doing video, again have confidence in that you will be able to produce exactly what is expected, and with the internet being the biggest learning and education network, there really is no excuse nowadays!