Success at the Manfrotto Takeover!

I had a great day at the Manfrotto Takeover on Wednesday at Park Cameras London, I hope all the visitors enjoyed their day too! I’m very busy at the moment, heading out to film a wedding today and tomorrow and have a growing collection of editing that needs to be completed too.. Better to be busy than to be sitting around doing nothing though!

Adam Plowden videography seminar manfrotto takeover park camera london

I got to test the new Schneider Xenon cinematography lenses on Wednesday too; built for 4K cine productions, the T/2.1 prime lenses have focal lengths of 35, 50 and 75mm with other models soon to be available, and I’ll be using them on my productions later on down the line. I was blown away by their performance, it’s like looking through a new pair of eyes.

More to come later! Keep creative!

Schneider Kreuznach 35mm cine prime lens optic Manfrotto takeover 1Schneider Kreuznach 35mm cine prime lens optic Manfrotto takeover 2

For those that couldn’t make the day, or my seminar on videography a podcast will be uploaded later when I get back from the wedding and I am putting together a highlights video of the day (shot on Panasonic GH4 in Cinema 4K and on 5D mark III with the Schneider cine optics).

Adams video week roundup!

Blimey lots has been going on over the last week, I hope it has been as hectic for you as it has been for me!

Monday started with continuing the design of the graphics for a recycling animation, a daunting task which put my drawing skills to the test. Bearing in mind I’ve spent the majority of the last year behind a camera, I took my time to learn the techniques I would need to use Illustrator properly. I would usually use Photoshop over Illustrator, but until I recently found out PS is not truly vector, and as I would be using a combination of the Pen tool and others to design the images this was very important, as I would need to transform the graphics later in After Effects.

My best mate Glen came down from Wycombe for a  surprise week to, so I spent plenty of time catching up with him and chatting about work. He gave me so very important advice; “Everything is too complicated these days, you should keep it simple and your audience won’t know the difference, especially if it is moving and animated anyway.” True words, and I took Glens advice which not only sped up the process, but made me more confident with the work I was producing.

Here’s a screenshot to show all of them! (I think I am working on a 10K canvas).

screenshot graphics design drawing art 2d vector create illustrator

The graphics design has been on-going, I practiced when I was first commissioned, but it just shows how familiarizing yourself with the tools and applications can ease your work! A very very important part of this process was to intensively storyboard and plan each scene, so I know what graphics can be generated beforehand, so I spent a good couple of days story boarding and sketching the graphics I would need, followed by a long list of assets I would go on to to create.

Pre-vis sketches:

design plan planning graphics creation motion animation

For the rest of the week I started importing the graphics into After Effects, and setting up the 15 scenes. I am finally starting to see progress! I am still working on this section, and it will take another week or so to complete all the animations. Again, I storyboarded this in the planning, so I know exactly what to produce for which scene which saves so much time. Also, the best thing about this planning part is that it does not have to be a work of art to depict your ideas, just a simple sketch to represent what you will need to create.

graphic storyboard plan pre-production animation motion graphics

On Thursday I joined a crew of fashion designers, hair stylists and models to film a magazine photoshoot for Sherman Hawthorne (the hair stylist and creative director of the shoot) at The Lemonade Factory studios on Queenstown road. With eccentric styles and art direction, I set about to capture high contrast, dramatic footage which will compliment the photos. It was an early start, here I am waiting for my train at Clapham Junction;

video shoot equipment kit list manfrotto camera dslr fashion hair photoshoot lemonade factory

I was a single shooter, I had the pleasure of transporting the equipment to the shoot which included a steadicam vest that I ended up not using. I’ve learned my lesson here not to take extra kit!

My kit list was as follows:

Canon 5DmkIII (A camera), Canon 60D (B camera)

Tamron 24-70 F/2.8 VC, Samyang 14mm T/3.1 cine, Samyang 35mm T/1.5 cine, Nikkor 50mm F/1.4 manual, Samyang 85mm T/1.5 cine, Sigma 70-200 F/2.8 OS

Manfrotto 755CX3, Manfrotto MVH700AH, Manfrotto Hydra arm and super clamp,

CamSmart camera rig + Lilliput field monitor, CamSmart Stabilizer vest, Flycam Nano

Zoom H6, Rotolight Roto-mic.

As with all of these shoots, time runs short so I was restricted to short burst of filming time with the models to capture the specific ethereal and industrial motif, but I also shot around the photographer to maximize my usable footage. I made use of the 50fps slow motion for the moving shots, so that the models movements are exaggerated, as well as stabilizing the shot.

As the props included wire fencing and chicken wire, aliasing was a problem when shooting shallow depth of field, or at an angle to the object. To remedy this I used a lower aperture (F/4-5.6) for some shots, but also I can add a Gaussian blur in Premiere Pro when editing to soften the lines, gently smoothing out unwanted aliasing.

A couple of frame grabs from the shoot!

fashion photo video shoot at the lemonade factory cinematic videography steadicam Here I’m using a moving shot to create a distorted perspective from outside of the set.

fashion photo video shoot the lemonade factory cinematic videography trapped cage bw Here I use a low angle shot, removing the identity of the model to create a ‘trapped’ and ‘mysterious’ feel to the model, and why she is in the box.

Weekends are always working weekend for creatives and freelancers. I spent yesterday working on the animation of the recycling project again, continuing to compose the scenes using simple 2D shapes and animation styles that have become very popular recently.

I also came across this post from Chase Jarvis about how to manage your time properly, its a great post with a detailed outline of 90-minute working slots that should improve your productivity, I urge you to read it if you’re someone like me who can’t stop working, then apply the plan to your working life. I know I will be!

Do Less = Do More by Chase Jarvis

I haven’t had many #videoquestions come in recently, so please keep them coming so I can help with tips for the community of videographers and creatives! Send them over to me @Plowman91 on Twitter.

Finally, ending with a must watch video, check out Philip Bloom’s video shot with the Blackmagic Production Camera, the 4K one at Miami Beach, what do you think of it? Is it worth investing now the Panasonic GH4 is on pre-order and it looks like Sony will have a 4K DSLR announcement coming at NAB2014 too..!!

Philip Blooms Four Corners Miami Beach (Blackmagic 4K camera)

That’s all for now folks! Keep the creative juices flowing!

Update from Adam!

It has been a very busy couple of weeks since BVE, which by the way was great this year. I was over the moon to see the new finalized range of Manfrotto LED Spectra light panels which I got to test out a couple of years ago. Seeing products develop over a long period of time is interesting, even more so when your opinion is considered in how the final product should perform.

Manfrotto also had their re-designed SIMPLA rig to demo, a much lighter and more ergonomic model I must say which is compatible with 15mm rig accessories like their matte box and electronic remote control.

schneider kreuznach optics lens for cinematography bve 1

As well as that, Manfrotto have also joined forces with Schneider Kreuznach optics (page in German), who have a new range of cinema lenses, specifically designed with ease of use in mind. All of the lenses from 24mm to 135mm have the same filter size, length and focus rotation to make filming with a range of the lenses effortless, simply change the lens and your peripherals stay in position. The optics of the lenses blew me away. Even in the well lit Excel, the background bokeh was stunning, soft yet so crisp. I cannot wait to get my hands on them. I think the combination of the new Manfrotto 055 tripod, the SIMPLA rig and Schneider glass will be a killer cine kit, delivering incredible visuals, making your shoot run smoothly, and at a low cost. Give it a year and this will be the go to package for production rentals, and part of every kit bag.

schneider kreuznach optics lens for cinematography bve 2

In other news, I’ve been working with EEBC on a couple of projects; a short video on recycling and another about a Wellbeing centre for those suffering with dementia and their carers. Both projects have messages that are close to me, so I’ve been working hard to blow my clients expectations out of the water. For the recycling video, I’m combining video with animation to show why recycling food and material waste is ever more important today; generating renewable electricity and resources. The Wellbeing centre video will be live action video, featuring the range of activities available to those in the community as well as the vast benefits to carers and visitors to the centre.

So, busy busy at the moment. I’m also meeting some designers from the fashion label ACF (Art Comes First) next week about another video featuring the design process here in London. Very exciting, I’ve been patiently waiting for an art-collaboration project to come along, it’s what I started the business for!

I’ve had no #videoquestions for a while, so remember to keep them coming to @Plowman91!

Remember, inspiration is everywhere so take your camera with you!

excel centre bve london photo camera dslr inspiration

EDIT!!!! Just remembered to include this, I spoke to an un-named informant about the new Samyang/Rokinon VDSLR cine lenses and whether any new models are going to be released. Our brief chat resulted in confirming rumours of a 50mm and 135mm cine lenses coming very soon! I think it’s exactly what the lens range needs, and I will certainly be investing in the 135mm if it is at T/2.2, or pushing it at T/1.8 would be a dream come true. So hear my thoughts Samyang/Rokinon!

Video on the Canon 5DmkIII and Samyang Cine Lenses

Many of you intrepid videographers may have come across a unique range of VDSLR Cine lenses from Samyang (Rokinon/Walimex) depending on your region. Have you had thoughts to invest in one, or a whole range of them?

Focusing on video, having electronic focusing and aperture is not essential for me, and in fact gives more control over the light entering the lens due to the de-clicked aperture. You can create smooth transitions between light and dark situations with ease by pulling the aperture.

As I’ve only just got the 5DmkIII and cine lenses, I thought it would be a good idea to test the kit out individually; producing a short video of the results.

I began on the Samyang 14mm T/3.1, an ultra-wide lens that does have barrel distortion if subjects or distinct lines move towards the sides of the frame. Operating the camera handheld on the MODA rig, I was not left much choice but to capture the video in 720p 50 frames per second, to eliminate obvious camera shake. This did work in my favor come later in the day when I was hanging out of a car boot filming!

adam plowden video filming canon 5dmkiii samyang 14mm

To exaggerate the ultra-wide effect, getting close to the ground, walls or your subject will show how wide the image actually is, while offering exquisite sharpness throughout the depth of the image. Moving while operating an ultra-wide also gives a unique changing perspective to the viewer; one that is appealing due to it looking unnatural to our eyes – a great effect for establishing locations in film.

What I did notice was a very strong contrast, even when shooting in Neutral picture style (for a flatter image). This is causing issues in post due to burnt in detail in the highlights and shadows.. So I have adjusted the picture style to my needs by reducing all of the parameters to the lowest level.

Overall, I am ecstatic to finally get my hands on an ultra-wide as I had no way of achieving that perspective with my old kit.

My tips would be to keep the camera stable – use a tripod, shoulder rig or steadicam to operate the camera. This gives you better control and steady visuals that won’t distract the viewer from the awesome visuals.

Judge your highlights and shadows correctly – this is a manual lens, so remember it is easy to stop down to F/6.5 or F/8.3 (uncommon electronic F stops) to expose the image perfectly. With this, always check your focus (use digital zoom!!). The worst thing ever would be to find an awesome flowing shot but it being slightly out of focus.

Experiment using the manual aperture, it will take some time to get used to!

Here is a draft edit that I chucked together from the test day –

On to the Samyang 35mm T/1.5

london filming canon dslr video camsmart moda camera rig

This is a beautiful lens. I’ve only worked with a 35mm F/1.8 for my little Nikon D5000, so as far as experience with 35mm that goes out the window.

What can I say… The 35mm focal distance works so well with the 5D’s full frame sensor, and even at T/5.6 the image was sharp and had a beautiful bokeh. To the other end of the spectrum; I also shot at T/22 to achieve a silhouette effect of Glen and the Houses of Parliament in the background. At this small aperture you would expect loss of detail and softness, but the Samyang 35mm excelled.

Another fantastic benefit of this lens is its minimum focus distance (the minimum distance from the lens to the subject for it to be in focus). It is very small at only 30cm allowing you to get very close to the subject and still achieve pinpoint sharpness and shallow depth of field.

I was filming up in London with my friend Glen, the light was hard when we arrived with strong sunlight beaming through the rain clouds, so to retain good exposure throughout the frame I found myself shooting between T/4 and T/8, varying the ISO depending on the location. For demo purpoes, I also filmed Glen constructing and using the new CamSmart MODA Rig, in innovative new video and photography product aimed at all level of users to achieve exceptional visuals in a cost effective solution.

For this close up, intricate video the 35mm lens was perfect for both wide and close up shots, I get more and more impressed as time passes!

My tips for using the Samyang 35mm T/1.5 cine lens – get yourself some ND filters, or even better variable ND filters as this will reduce the light entering the lens without changing the aperture, shutter or ISO. If you have a lens that is very fast, like this model at T/1.5, to retain a shallow depth of field in a multitude of locations and light levels ND filters are crucial and should be in your kit bag.

Here is the rough edit of the 35mm film! –

Big shout out to Manfrotto for the 055CF tripod, video head and pro backpack, makes a world of difference to my old 055 aluminium model!

Good luck with your shooting, drop us a comment if you have any questions about using the lenses or kit, and be sure to like, follow and share!!

Busy!!

I’ve been busy over the last couple of days, working on both John Sinclair videos, as well as the arrival of the professional camera rig I designed. It is still a prototype so some changes will be made, but so far it is a great fabrication of my design I proposed 18 months ago!!

DSC_0260 rig1

I’ve since been working on the John Sinclair documentary, which I’ve titled ‘Behind The Smoke’ in Adobe Premiere, which has been going very smoothly. I’ve also finished the title sequence using footage from the Amsterdam gig rehearsal, as well as using outstanding quotes from John, it is accompanied by the track Mohawk of his new album with Steve Fly.

I used the layers blending modes to merge the layers together, as well as distorting the text (in a bold font like the 70’s John Sinclair posters) and animating them in a style that conveys the subject.

I will post the video up later!

 

 

FALCONEYES videography equipment at IBC

Products include, sliders, steadicams and camera rigs that are innovative and cost effective solutions. I’m really impressed with their products, especially the build quality of the parts. I will be testing these out tomorrow as well as many others, so keep watching for the videos!

I have been doing a bit of touristing around the city of Amsterdam today, doing some filming here and there, will do more tomorrow morning, which is also when the camera rig I designed is going to arrive at the hotel!! Over 1 and a half years of work and patience! Will of course post photos when I can!