Thinking of making the jump to 4K?

You are in the same boat as me.. Having bought my 5D mkIII last December, there was no accessible 4K option until the Panasonic GH4 made its appearance in the Spring.

I was devastated. Having invested heavily in Canon gear, any future move I make will need to fit with my current EF mount lenses, not to mention everything else such as batteries, memory cards and my overall production workflow.

http://www.eoshd.com/2014/04/panasonic-gh4-vs-sony-a7s-compared-wins-4k-battle-paper/

(EOS HD comparison between the cameras).

At the moment, there are two options on the table. Said to be like comparing apples and oranges, the Sony A7s and GH4 are the current competing professional cameras that offer 4K functionality, however for people that own the cameras and have been comparing the two have found it difficult. This is for a few reasons:

Sensor size: The A7s is full frame, the GH4 is MFT.

4K in camera: The GH4 can record 4K internally, the A7s requires an external recorder such as an Odyssey or Shogun.

 

Philip Bloom using the Q7, from: http://philipbloom.net/2014/07/19/magician/
Philip Bloom using the Q7, from: http://philipbloom.net/2014/07/19/magician/

Jeromy, CEO of Atomos talking to me and Sam from The IABM about new products and the IBC Show.

Now, many people will be arguing that what does the increased resolution allow you to do, that HD doesn’t? The image produced from the 5D is great; good in low light, versatile, fits my style of filming… But it also has big downfalls for being a DSLR, and not a video camera.

Something that is unique about these two cameras is that their ‘out of the box’ functionality has been fine tuned for video applications, as well as high end photography. This is what Canon has left behind in their non Cinema line cameras, and Magic Lantern has struck gold on with their firmware hack enabling awesome video functions.

I have only recently installed ML on my 5D mkIII due to the current firmware on the camera. It was shipped with version 1.2.3, I was hesitant to downgrade the firmware and was patient in waiting for ML to develop a tested and working version for 1.2.3. Now having access to on screen aid such as waveform monitors and audio levels make such a difference, and restart movie for the longer filming durations is great. It turns your ‘photography’ camera into basically a video camera.

From: About DSLR (Youtube).

For my type of videography, the benefits of having not only 4K, but a wider range of options for recording will allow me to crop and downscale any 4K acquisition to HD and hold incredible picture detail, dynamic range and depth of field.

The recording bit rates are higher, meaning more data is stored for post production editing, compositing or grading.

Lastly, it should increase the production value of what I produce. Now, I am not stating that better equipment makes better videos. It does give you the opportunity to step up with what you can do in your work, and especially as it keeps you up to date in a world of ever changing and improving technology.

So, what is my investment cost?

This is dependent on your current shooting kit, and whether you can merge your current system with a new one. Perhaps you already shoot Sony or Panny, so you’re in luck.

For me, all my lenses are Canon EF mount, some are electronic, others are manual, so an adapter would be needed in my case. The price of this is dependent on the glass you use, or are going to use.

Let’s look at the Panasonic GH4 to start with.

Panasonic GH4 (body only) – £1296.00

Metabones Speedbooster EF to MFT (smart with electronics) – £468.00

GH4 batteries x 2 -£130

Transcend 600x ultimate SD card x 2 (Amazon price) – £36

Now, as the GH4 is MFT, I might purchase a wide angle lens because my current ultra wide angle 14mm T/3.1 would be almost 28mm T/6 due to the sensor equivalence. So, my options would be either:

Panasonic 12 – 35mm F/2.8 – £829.00

I did have the Samyang 12mm T/2, realizing it does not come in MFT mount.. So the above would be my option. I have used it before, it has great OIS and has a decent depth of field for an F/5.6 equivalent lens.

Total GH4 investment inc extra lens – £2759.00 (excluding extra lens – £1930.00)

That £1930 was pretty much the same price I paid for the 5D mkIII body only.

Panasonic GH4 basket

Now the Sony A7s.

Sony A7s (body and battery/PWR kit) – £2034.00

Metabones Speedbooster EF to E (smart with electronics) – £316.46

Transcend 600x ultimate SD card x 2 (Amazon price) – £36

The A7s does not record 4K internally, so I would need to purchase the Atomos Shogun recorder at – £1464.00

Also, as the A7s is compact in size, a cage is required to make it more accessible with the recorder and mics etc.

Movcam A7s cage – £148.02

Total A7s investment – £3998.48

(All prices are including VAT from CVP).

Sony A7s basket

Adam using the Panasonic GH4
Adam using the Panasonic GH4

Now.. I’ve shot on the Panasonic GH4 and I like it. When I’ve talked to Panasonic reps about the product they all had the same comment that Panasonic listened to videographers, and you can tell. The available recording formats and codecs allow a range of uses for the camera, and the features it packs into its tiny form are perfect for those that already utilize DSLR for video.

(Look back to earlier this year to the Park Camera’s Panasonic open day – https://ajp1991.wordpress.com/2014/03/16/meet-the-panasonic-gh4/)

Personally, and this is very subjective to the way I was filming when using the camera, the captured video looked like video. Some will understand what I mean, others won’t, but for those that have been shooting on a full frame camera, the ‘look’ is there. Obviously the sensor plays a large part in that, but if I purchased a GH4 kit outright (disregarding my current EF mount lenses).. I would purchase the Voightlander 25mm and the trusted Samyang cine lenses which might just combat the ‘look’ issue I feel like I have. As well as high quality ND filters so my shutter can remain at 1/50th.

Really quick GH4 test:

Trying out the 4K, and again a basic test:

(Please if you have experience, tips, footage or photos that you would like to share, please do!)

What am I going to do then?

My dad taught me something really great; good things come to those who wait. In other words, have patience.

As others test out, review and produce videos using the GH4 and A7s (and other cameras that pop up here and there), I will be closer to making my decision. For now, I know to hold off. A good thing for me to do would be to road test both cameras, work it with all of it’s video functions and produce a couple of vids that I can look back on. The folks at Park Camera’s are great at in store demos, but I can also wait for BVE in Feb 2015.

So, I can frustratingly wait a little longer for my jump to the next innovation of video production and delivery.

In the mean time I can always look at Blackmagic Design’s options that shoot 4K, as well as the Apertus AXIOM modular camera, and keep the new Arri Alexa 65 and RED Dragon for my dreams.

axiom-modules-06[1]

From – https://www.apertus.org/

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Success at the Manfrotto Takeover!

I had a great day at the Manfrotto Takeover on Wednesday at Park Cameras London, I hope all the visitors enjoyed their day too! I’m very busy at the moment, heading out to film a wedding today and tomorrow and have a growing collection of editing that needs to be completed too.. Better to be busy than to be sitting around doing nothing though!

Adam Plowden videography seminar manfrotto takeover park camera london

I got to test the new Schneider Xenon cinematography lenses on Wednesday too; built for 4K cine productions, the T/2.1 prime lenses have focal lengths of 35, 50 and 75mm with other models soon to be available, and I’ll be using them on my productions later on down the line. I was blown away by their performance, it’s like looking through a new pair of eyes.

More to come later! Keep creative!

Schneider Kreuznach 35mm cine prime lens optic Manfrotto takeover 1Schneider Kreuznach 35mm cine prime lens optic Manfrotto takeover 2

For those that couldn’t make the day, or my seminar on videography a podcast will be uploaded later when I get back from the wedding and I am putting together a highlights video of the day (shot on Panasonic GH4 in Cinema 4K and on 5D mark III with the Schneider cine optics).

Testing out the new Panasonic GH4

There have been three new arrivals at JHWF HQ this morning, three beautiful Panasonic Lumix GH4’s!

panasonic gh4

I’ve had the opportunity to check out the GH4 at Park Cameras a few months ago, so today was a great opportunity to get proper hands on with the new camera system!

We didn’t have time to do a proper test, so I took a few shots to demo the 4K at 100Mbps AND the 1080p 50fps features that are currently exporting in Premiere now.

Out of the box, holding the camera using the viewfinder seems so natural for video, as well as the OLED live screen which produces a clear as day image with overlays.

Using the stock lens 14-140mm F/3.5-5.6 (equivalent to 28-280) the image was sharp, with very minor chromatic aberration at 140mm. I am used to a ‘full frame’ look, but remembering that the Arri Alexa has a similar sensor size the the GH4, what lacks in the stock lens can be gained using the wide range of primes available for M4/3 mount.

The OIS stabilization was actually incredible. This being hand-held, the shots were very shaky at the long end, but the OIS did a brilliant job of stabilizing the image.

Another fab feature is the variance in recording formats, whether you are shooting on a green screen, or footage that is live streamed, the data rates are manageable and not small enough for heavy compression meaning grading the footage should be a breeze. (In my test video coming very soon I have NOT graded any footage).

Things to make note of: If you are going to purchase a GH4 but currently shoot with Canon EF lenses, do not worry. Lensadaptors have developed a M4/3 to EF adapter, there is also one from Blackmagic to Nikon G mount, and rumors are circulating that Metabones are working on a direct M4/3 to EF lens as we speak!

Well, there will be LOTS and LOTS more to come as I continue to play and test out the GH4 so watch this space!

panasonic lumix gh4 4k footage export

BASIC TEST VIDEO –

Fantastic Rotolight Video News – Coming To A Screen Near You!!!

The Rotolight Sound and Light kit video I produced for Rotolight featuring Josh McDonough is being taken on tour to America, where it will be shown to a live audience of 30,000 film students!

If you haven’t already, you can check out the video here!

Check out Josh’s new studio too, and get recording there – Just Jam Studios!

Got a meeting about the recycling project today, then will be getting my new iPhone (about time I know)!

rotolight rotomic ring light tiele motion graphic video

Happy creating you awesome bunch of people, and thanks for all your support so far!

New supercomputer is built!

I’ve been waiting months to finally have a computer that can handle the work that I do!! Previously working on laptops (which coincidentally die each year) I needed to step up the game to a high performance desktop which will expand my capabilities in not only video editing, but also motion graphics and compositing.

I got myself an i7, NVIDIA 650TI 2Gb graphics card and all the rest to allow working speedily in Adobe applications (taking advantage of the mercury playback engines) and also allowing me to use Speedgrade and DaVinci Resolve for professional colour grading as the new graphics card is CUDA enabled!! My workflow speed will go through the roof!

Throughout all of January, the components dribbled in one by one, until it was only the PSU to come. Amaz0n buggered up my order, which I was expecting in 2-4 weeks. The order then got pushed back another 2-4 weeks, which I was furious about, so got on to Amazon support who clarified the ‘warehouse’ issue.. Everything is computerized these days so I don’t understand how a major marketplace cannot get there warehouse stock levels and back order numbers right!!

I cancelled my order with Amazon, and put it through Scan instead, who delivered the Corsair 1000w PSU in only 2 days. Top service!

Being impatient (eager), I wanted to get the new computer going as quickly as possible so I begun assembling the components in the case. I had never done this before so the nerves were running riot, washing my hands every couple of minutes to make sure I wasn’t getting grease or dirt on the motherboard. It was stressful, but I managed to get most of the bits it, bar the CPU and hard drives.

Yesterday Sam helped me put together the rest of the components and the cabling, and the building of my new workstation – could not have done it without him!

newcomputer blank canvas The blank canvas of my computer.

Now all I have to do is fill it up with my work and data, install Adobe and then I can get working!

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Are you in need of innovative, cinematic and artistic promotional video’s and media, that makes your business, product, event or service stand out, attract a wide audience and immerse them in the visuals and sound?

My portfolio includes video/media work with – Moet Hennessy, Broadcast Magazine, The BBC, AstraZeneca, Manfrotto & more.

I’m offering 10% off on all productions until the 15th of November 2013! Check out my work at

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and get in contact!

New Lilliput 7″ HD Field Monitor

I got a surprise through the post today, it was the new Lilliput 7″ HD Field Monitor, this one has great features including HDMI, YPbPr, composite and audio inputs, as well as audio monitoring which is handy. Here are some snaps from my play around today.

The colour reproduction, contrast and screen resolution is much better than the Camax model, yielding a more realistic picture. Still some functionality and operation issues to iron out but over all a great product out of the box!

I will be putting up a video soon, including filming in studio and on-location situations, as well as testing out the screen quality too, so keep updated, and if you have any questions just send them in!

I thought it was about time to sort out all of my equipment too, as I have them in bags and boxes all over the place, organization is rather important to avoid losing things! I got this great suitcase from The Olympic Broadcasting Service when I worked at the London 2012 Olympics, so I put my big camera bag, as well as my rig, batteries, and a BlackmagicDesign bag full of cables in it. Can’t believe I lug this amount of kit around though! (Minus the Nikon in the little bag as that rarely sees the light of day 😦 ).

Epsom and Ewell-20131002-00275

Give us a share and a shout!