Silence is golden

I’ve been quiet on the old WP blog recently, this is only due to a migration from my old website to a new system with Squarespace, which has allowed me to import my entire blog from here, into my new website!

I won’t be closing this blog/account, so I am still reachable with your messages and comments, but I will be posting from my new website at www.adamplowden.com so please go and check it out!

Keep those creative juices flowing, much love 🙂

Adam and Reikjmuseum Amsterdam

Thinking of making the jump to 4K?

You are in the same boat as me.. Having bought my 5D mkIII last December, there was no accessible 4K option until the Panasonic GH4 made its appearance in the Spring.

I was devastated. Having invested heavily in Canon gear, any future move I make will need to fit with my current EF mount lenses, not to mention everything else such as batteries, memory cards and my overall production workflow.

http://www.eoshd.com/2014/04/panasonic-gh4-vs-sony-a7s-compared-wins-4k-battle-paper/

(EOS HD comparison between the cameras).

At the moment, there are two options on the table. Said to be like comparing apples and oranges, the Sony A7s and GH4 are the current competing professional cameras that offer 4K functionality, however for people that own the cameras and have been comparing the two have found it difficult. This is for a few reasons:

Sensor size: The A7s is full frame, the GH4 is MFT.

4K in camera: The GH4 can record 4K internally, the A7s requires an external recorder such as an Odyssey or Shogun.

 

Philip Bloom using the Q7, from: http://philipbloom.net/2014/07/19/magician/

Philip Bloom using the Q7, from: http://philipbloom.net/2014/07/19/magician/

Jeromy, CEO of Atomos talking to me and Sam from The IABM about new products and the IBC Show.

Now, many people will be arguing that what does the increased resolution allow you to do, that HD doesn’t? The image produced from the 5D is great; good in low light, versatile, fits my style of filming… But it also has big downfalls for being a DSLR, and not a video camera.

Something that is unique about these two cameras is that their ‘out of the box’ functionality has been fine tuned for video applications, as well as high end photography. This is what Canon has left behind in their non Cinema line cameras, and Magic Lantern has struck gold on with their firmware hack enabling awesome video functions.

I have only recently installed ML on my 5D mkIII due to the current firmware on the camera. It was shipped with version 1.2.3, I was hesitant to downgrade the firmware and was patient in waiting for ML to develop a tested and working version for 1.2.3. Now having access to on screen aid such as waveform monitors and audio levels make such a difference, and restart movie for the longer filming durations is great. It turns your ‘photography’ camera into basically a video camera.

From: About DSLR (Youtube).

For my type of videography, the benefits of having not only 4K, but a wider range of options for recording will allow me to crop and downscale any 4K acquisition to HD and hold incredible picture detail, dynamic range and depth of field.

The recording bit rates are higher, meaning more data is stored for post production editing, compositing or grading.

Lastly, it should increase the production value of what I produce. Now, I am not stating that better equipment makes better videos. It does give you the opportunity to step up with what you can do in your work, and especially as it keeps you up to date in a world of ever changing and improving technology.

So, what is my investment cost?

This is dependent on your current shooting kit, and whether you can merge your current system with a new one. Perhaps you already shoot Sony or Panny, so you’re in luck.

For me, all my lenses are Canon EF mount, some are electronic, others are manual, so an adapter would be needed in my case. The price of this is dependent on the glass you use, or are going to use.

Let’s look at the Panasonic GH4 to start with.

Panasonic GH4 (body only) – £1296.00

Metabones Speedbooster EF to MFT (smart with electronics) – £468.00

GH4 batteries x 2 -£130

Transcend 600x ultimate SD card x 2 (Amazon price) – £36

Now, as the GH4 is MFT, I might purchase a wide angle lens because my current ultra wide angle 14mm T/3.1 would be almost 28mm T/6 due to the sensor equivalence. So, my options would be either:

Panasonic 12 – 35mm F/2.8 – £829.00

I did have the Samyang 12mm T/2, realizing it does not come in MFT mount.. So the above would be my option. I have used it before, it has great OIS and has a decent depth of field for an F/5.6 equivalent lens.

Total GH4 investment inc extra lens – £2759.00 (excluding extra lens – £1930.00)

That £1930 was pretty much the same price I paid for the 5D mkIII body only.

Panasonic GH4 basket

Now the Sony A7s.

Sony A7s (body and battery/PWR kit) – £2034.00

Metabones Speedbooster EF to E (smart with electronics) – £316.46

Transcend 600x ultimate SD card x 2 (Amazon price) – £36

The A7s does not record 4K internally, so I would need to purchase the Atomos Shogun recorder at – £1464.00

Also, as the A7s is compact in size, a cage is required to make it more accessible with the recorder and mics etc.

Movcam A7s cage – £148.02

Total A7s investment – £3998.48

(All prices are including VAT from CVP).

Sony A7s basket

Adam using the Panasonic GH4

Adam using the Panasonic GH4

Now.. I’ve shot on the Panasonic GH4 and I like it. When I’ve talked to Panasonic reps about the product they all had the same comment that Panasonic listened to videographers, and you can tell. The available recording formats and codecs allow a range of uses for the camera, and the features it packs into its tiny form are perfect for those that already utilize DSLR for video.

(Look back to earlier this year to the Park Camera’s Panasonic open day – https://ajp1991.wordpress.com/2014/03/16/meet-the-panasonic-gh4/)

Personally, and this is very subjective to the way I was filming when using the camera, the captured video looked like video. Some will understand what I mean, others won’t, but for those that have been shooting on a full frame camera, the ‘look’ is there. Obviously the sensor plays a large part in that, but if I purchased a GH4 kit outright (disregarding my current EF mount lenses).. I would purchase the Voightlander 25mm and the trusted Samyang cine lenses which might just combat the ‘look’ issue I feel like I have. As well as high quality ND filters so my shutter can remain at 1/50th.

Really quick GH4 test:

Trying out the 4K, and again a basic test:

(Please if you have experience, tips, footage or photos that you would like to share, please do!)

What am I going to do then?

My dad taught me something really great; good things come to those who wait. In other words, have patience.

As others test out, review and produce videos using the GH4 and A7s (and other cameras that pop up here and there), I will be closer to making my decision. For now, I know to hold off. A good thing for me to do would be to road test both cameras, work it with all of it’s video functions and produce a couple of vids that I can look back on. The folks at Park Camera’s are great at in store demos, but I can also wait for BVE in Feb 2015.

So, I can frustratingly wait a little longer for my jump to the next innovation of video production and delivery.

In the mean time I can always look at Blackmagic Design’s options that shoot 4K, as well as the Apertus AXIOM modular camera, and keep the new Arri Alexa 65 and RED Dragon for my dreams.

axiom-modules-06[1]

From – https://www.apertus.org/

IBC Show 2014 Roundup!

What a week it was! There was no doubts we would be busy filming and editing videos for The IABM to release, but not on the scale we anticipated! Overall, Adam Plowden Videography captured and produced at least 8-10 videos each day, an incredible 6 times more video content delivered in one week than previously in the whole of 2013!

adam plowden videography at ibc 2014 show manfrotto adam plowden videography at ibc 2014 show manfrotto2 adam plowden videography at ibc 2014 show manfrotto3

I did include a run-down of my kit choices before I left, but here is a quick summary of my chosen equipment to capture the IBC Show:

Manfrotto 546GB twin leg tripod with a 504HD head (A Cam).

Canon 5D mkIII, Tamron 24-70mm, Sigma 70-200mm, Samyang 14mm, 35mm, 85mm, Canon 100mm L.

Manfrotto 755CX3G tripod with a MVH500AH head (B Cam).

Canon 60D, Tamron 17-50mm, Canon 50mm.

Manfrotto Hydra Arm and super clamp.

Zoom H6, Sennheiser ENG-G3 RxTx kit, Roto-mic.

IBC 2014 equipment for IABM filming adam plowden videography manfrotto obs olympics

(This is the kit we took each day to film with!)

I had to have the above tripod gear after testing them out at my Manfrotto Takeover day, I was impressed by the fluidity of the 504 head when using it with telephoto lenses (as you can see above), however for lightweight, portable and quick ‘run and gun’ filming, the 755CX3G is a cracking go to set of legs. (Pictured above with the ProMediaGear Arc-Slider) and 701HDV head.

My main camera was: Canon 5D mkIII, and I was frequently using the Tamron 24-70 F/2.8 VC and Sigma 70-200 F/2.8 DC OS for ‘go to’ lenses around the show. They have a stabilizer in the lens, which means that shake and wobble can be eliminated. I also purchased the Canon 100mm F/2.8L macro lens before the trip for detail shots, but I fell in love with it for capturing everything; crisp and beautifully shallow portraits too.

adam plowden videography at ibc show 2014 canon 100mm macro l series sony professional interview

For establishing and wide shots, the Samyang 14mm T/3.1 cine lens came into it’s own. On a full frame camera it has a huge wide angle view allowing to capture the biggest of expanses with clarity.

museumplein iamsterdam canon 5d mkiii samyang 14mm tourism wide adam plowden videography IBC show 2014

Day 2 – Thursday 11th September – Welcome to IBC

Things are gearing up at the RAI; exhibitors are flooding through the doors, the stands are quickly being finished and the equipment is on display. IBC Show 2014 is getting ready to open its doors to 50,000 broadcasting, media and IT professionals from across the globe. We began filming the exterior the the RAI with visitors entering the venue and registering in the main foyer; the arc slider and 14mm lens create a wonderful moving perspective. After a short explore around hall 10 and 11 we made our way to The IABM Members Lounge to film an exclusive interview with Peter White, CEO of The IABM.

The IABM is a global broadcasting organization, representing nearly 80% of the broadcasting industry. The members have access to an exclusive members lounge, the IABM business conference, design & innovation awards and much more. It was our job to capture the events, conferences and members at IBC to promote and inform others about the successes at the show. For the interview, I used the Canon 5D mkIII, Tamron 24-70mm, the B cam was a Canon 60D with Canon 50mm F/1.8. For a reliable audio source I used the Zoom H6 (multi-channel recorder) with the MS mic attachment, as well as the Sennheiser ENG-G3 wireless mic kit; this was so I could attach a lav mic on the interviewees for clear sound.

Yes, this did mean throughout the week we had different video and audio sources, but Red Giant Pluraleyes aided greatly in syncing up the V&A for editing in Adobe Premiere Pro CS6.

BTS editing IBC IABM intro video amsterdam

Editing the IBC Intro video with Peter White on my laptop, yes, Windows laptop!

After capturing the buzz and excitement of pre-IBC, we headed back to our hotel to edit the intro video for the IABM members to see. The editing was fast, but the uploading was terrible via Wi-Fi, having learned our lesson, we uploaded the rest of the videos in the press room at IBC instead! Unfortunately, the video is only viewable for IABM members, so here is a quick screenshot.

iabm intro video at ibc show 2014 adam plowden videography

Later on, we ventured out into the city of Amsterdam. It was Glen’s first time, so I look him for a tour around the sights.

Glen in Amsterdam for IBC show with adam plowden videography

Day 3 – Friday 12th September – IABM Business Conference ‘The Future of Broadcasting’ and member interviews.

It was an early start on Friday, we arrived at the RAI for the IABM business conference at 6:45am to set up and capture the members breakfast, the conference and the post networking before the show got underway that day. For added motion, I used the ProMediaGear Arc-slider for some of the opening shots, but the main conference was shot on 3 static cameras.

iabm business conference at ibc show by adam plowden videography

For a mid shot of the speaker, I shot on the Sigma 70-200mm, and for a wide I used the 60D with the 17-50mm. Glen was filming from the front for a reverse angle on the 60D and Canon 100m L, which captured some stunning reaction shots of the attendees in low light. Unfortunately, this video is only available to watch for IABM members.

As our responsibility was to capture and edit videos for a same day or next day release, our two man filming team split so that Glen could begin ingesting, backing up and editing the conference video while I went out into the show and interviewed a number of IABM members. This turned out to be a godsend tactic to release a stream of high quality videos each day. It was, however, difficult to keep track of all the media from SD and CF cards…

That day, I filmed interviews with Georacing, Harmonic, Nexidia that we edited out for same day release:

I then jetted off to The IABM stand to meet the new winners of the Student award from The IABM (I won last year), to capture some interviews with them about their study and what they are looking forward to at IBC!

iabm student award winners ibc 2014 adam plowden videography

Day 4 – Design & Innovation Awards and member interviews

We were already half way through our IBC experience when Saturday struck, after a successful few days of filming and editing we geared ourselves up for a long day ahead. The day begun with a selection of IABM member interviews from around the show, including; Blackmagic Design, Avid, Newtek, Sony and many more. If you have been to IBC or NAB before you’ll know how long it takes to get from one place to another, but with video kit it was a challenge to navigate around the thousands of people at the show!

I had a great time at the Sony booth, interviewing Peter Sykes about the new innovations; camera, 4K transmission, projectors, storage devices. They can be seen here:

I was intrigued by the Sony A7s, a full frame SLR with great low light and DR features.. There was lots of hype around the camera, and I had noticed a lot of the News Shooter guys using them with Atomos Ninja/Blade recorders (we were working next to Dan Chung and News Shooter in the press room), they rated it very well in a variety of conditions and shooting styles.

Bad luck struck on Saturday afternoon… My Canon 60D and 14mm cine lens was capturing a timelapse when it was moved/taken/stolen from where I left it.. Knowing that this would impact the video production of the D&I awards I quickly got help from RAI security to try and locate it. No luck, so later on that afternoon I borrowed a camera from an IABM member to capture a static wide shot of the awards ceremony. Luckily, when I arrived home I got a call from the RAI security who informed me they had found my camera!

canon 60d 14mm cine lens timelapse adam plowden videography ibc 2014 wohler interview at ibc 2014 for iabm adam plowden videography vidigo interview at ibc show 2014 iabm adam plowden videography

We then got set up and prepared for The IABM Design and Innovation Awards 2014, celebrating and awarding outstanding technical developments in the broadcasting and media industry. Before IBC I edited and produced the 9 nominee category videos and graphics presented throughout the awards. Using the same setup as the IABM conference (A cam – Tele, B cam – wide, C cam – reactions) we captured the night in full, showing the excitement and buzz around winning the awards. I got to have a quick chat with some of the winner companies too!

I edited together the highlights of the IABM Design and Innovation Awards, which can be viewed here –

The individual winner interviews can be viewed here:

Systems – VidiGo

Testing – Cube-tec

Storage – Ardis

Post Production – Quantel

Playout – Elemental Technologies

Content + Infrastructure – NTT Electronics

Audio – Sennheiser

Acquisition + Production – Trimaran

The realities of working 12-14 hour days were catching up with us when we returned to our hotel to ingest and back up the footage. Finally, but 1:30am on Sunday all of the footage was synced and ready to be edited. At that point, we both thought its time to call it a day.

iabm design and innovation awards 2014 ibc show adam plowden videography adam and glen design and innovation awards 2014 ibc show adam plowden videography

Day 5 – Delivering D&I Award Videos and member interviews

By Sunday, the main haul of event capture had been completed, with the remaining tasks being mainly interviews with members around the IBC show. As our editing ‘system’ had worked so well previously, Glen stayed in the press room using both our laptops to edit, export and upload the winner videos from the awards while I conducted interviews with more exhibitors and IBC members.

I had a great time at the Atomos booth interviewing Jeromy the CEO about the new Shogun for 4K recording and the power pack!

Atomos Interview –

jeromy atomos ceo at ibc show 2014 iabm interview adam plowden videography

Later that day I bumped into Joe, my old uni housemate  who was visiting the show for a day. Later, Glen and myself went for Mexican for dinner and met up with our hotel receptionist, Klaudija for a few drinks in Vondelpark!

adam and joe ibc show 2014 videography adam and glen mexicans

At this point, I was completely over my missing 60D and the tiredness. Visiting IBC and Amsterdam for work is a very rare opportunity, so we plowed through and continued to produce great day by day coverage of the show for The IABM. Glen, bless him saw less and less daylight each day!

adam out filming interviews at ibc Glen and Adam at ibc

Day 5 – Rising Stars and more member interviews

Arriving at IBC a little later than usual, Glen and myself parked up the the press area and set up the laptops to upload the previous days interviews to vimeo. Before we headed out to Steve Warners talk at Rising Stars I bumped into Nino Leitner who was off to Photokina that afternoon, so I grabbed a quick pic! Nino had been very busy with Cinema 5D coverage of the show producing their ‘On The Couch’ series with Philip Bloom, HaZ Dullul and more.

adam plowden and nino leitner ibc show 2014

At this point, we had captured around 350Gb of video footage and delivered numerous interviews and event videos for The IABM, they were very pleased! We headed over to The Rising Stars lounge; a part of the show dedicated to young professionals in the industry where Steve Warner (training manager of The IABM) was doing a talk on CV’s and representing yourself. Even for me, it was quite interesting to hear what recruiters actually look out for and research!

steve warner iabm training manager talk rising stars ibc 2014

Catch the full video here –

The team then split so I could conduct some interviews with The IABM student award winners, and with a couple more members for The IABM annual conference in December. It was a short and sweet day; shooting multi-cam on talks and conferences made editing fairly straight forward so we were able to deliver the videos pretty much on the same day. Glen did an awesome job and editing videos out quickly. while I was filming more content!

Day 6 – Last interviews

Day 6 was our opportunity to capture the last interview and glimpse of the show until next year. As we were interviewing members and covering events, we didn’t get to see that much of the show itself, but made time to visit some cool stands before we left on Tuesday afternoon.

We visited the Ross Video stand, to interview Pete Ross for The IABM annual conference, it was interesting to hear about how the company developed the first vision mixers and lead the way for broadcast production throughout the 20th century, definitely worth recognition.

adams last day at ibc on the tram in Amsterdam

adams last day at ibc on the tram in Amsterdam

the Amsterdam RAI, home of IBC

the Amsterdam RAI, home of IBC

Ross video stand at ibc show

Ross video stand at IBC show

Ross video stand at ibc show2

Ross video stand at ibc show2

saying goodbye to the IBC press room!

saying goodbye to the IBC press room!

Glen at IBC

Glen at IBC

Adam at IBC

Adam at IBC

Glen and Adam leaving IBC 2014 for the last time!

Glen and Adam leaving IBC 2014 for the last time!

Well, what an incredible time it has been.. We captured over 400Gb of footage and audio, combined with hours of graphics produced before the show. We delivered (and are continuing to deliver) over 55 videos online for The IABM. What a show, what a success! My huge thanks go to the other half of the team, Glen Symes for his help and dedication to getting the videos out, and dealing with my stresses of production and post throughout! Also thanks to The IABM for giving me the opportunity to cover The IBC Show 2014 for you.

Ooh, I almost forgot I stopped by the Vitec Videocom stand to say hi to the Manfrotto reps and return the tripods and grip we borrowed for filming. While we were there I asked Sofia for a short piece to camera on the new Manfrotto tripods and kit; I was over the moon to hear a new follow focus has been developed to go with the SYMPLA rig!

Check out the video with Manfrotto here –

I’ve met up with old friends, and made many new ones. My experience has been overwhelming this year, now I cannot wait to do it all again at The IABM Annual Conference and hopefully IBC 2015! If you have any questions about how we produced the videos, or IBC then drop me a tweet @Plowman91 or comment!

I’m still editing and uploading more videos, so keep updated by checking out The IABM website for more videos and content, and I will have an IBC 2014 wrap up video coming soon. UNTIL NEXT YEAR!

 

At the centre of the broadcasting world!

Morning on day 2 of our trip to Amsterdam for The IBC Show! Yesterday was a very, very long day. Arriving at Gatwick at around 4am, we were eventually in the air by 6:45 and in the city for 9:30am.

photo 4 (2) photo 1

It is Glen’s first time in Amsterdam so when we arrived we took a leisurely walk from Centraal through Dam Square to Leidseplein which is near where we are staying. After dumping the cases full of camera gear at the hotel, we went and found breakfast in one of the many cafe’s around the area. The coffee is the best ever here!!

photo 1 (1) photo 2 (1)

We had a couple of hours to spare before check-in so our tour of Amsterdam continued; from Leidseplein to Rembrandtplein, the Rokin and up to the Red Light District. After check-in we headed to Amsterdam RAI, the location of The IBC show where we picked up our IABM Press Passes from the media lounge. First ever time on press, so I am looking forward to the experience and hustle and bustle of the broadcasting news when the conference and expo opens today/tomorrow!

Before our next stop, we headed over to the VITEC stand (hall 11) to collect the Manfrotto tripods, heads and grip that we’ll be filming on for the show from the team; we’ve got; Manfrotto 564B (twin leg) tripod, 504HD fluid video head, 755CX3G carbon fibre tripod and MVH500AH video head, of course I’ve got a super clamp and magic arm too!

photo 4 (3) photo 5 (1)

After a quick taxi trip from The RAI to The Novotel, Glen and myself met up with Sam Hawkins (Marketing exec) of The IABM to talk about the upcoming video coverage plans; we will be covering all of The IABM’s events that happen at IBC, as well as their members lounge, Rising Stars, the Design and Innovation awards and much more, so if you are a member of The IABM, or simply want to chat; come and find me!

We are off to The RAI again today to shoot general video of the conference, stands, attendees, press area and much more. Tomorrow we’ll be at The IABM’s business conference at 7am.. Plenty to do and be looking forward to! There will be plenty more news coming up when I return from filming today!

Finishing off my showreel by creating a cinemagraph!

Inspired by Framestores recent Eastenders tv advert, in which they created cinemagraphs to depict the suspected murderers of Lucy, I decided to embark on my own cinemagraph to complete my showreel. I’m deep into After Effects, for this kind of animation I am using one still image, with no plate to make it difficult for myself. However, its a good job the subjects have high contrast against the white background or I would really struggle with this!

I will be uploading more as I go, but for now I must dive back in!

showreel cinemagraph

Fantastic Rotolight Video News – Coming To A Screen Near You!!!

The Rotolight Sound and Light kit video I produced for Rotolight featuring Josh McDonough is being taken on tour to America, where it will be shown to a live audience of 30,000 film students!

If you haven’t already, you can check out the video here!

Check out Josh’s new studio too, and get recording there – Just Jam Studios!

Got a meeting about the recycling project today, then will be getting my new iPhone (about time I know)!

rotolight rotomic ring light tiele motion graphic video

Happy creating you awesome bunch of people, and thanks for all your support so far!

Meet the Panasonic GH4

We’ve been waiting a few months for more info on the Panasonic GH4. It briefly appeared at BVE, and only 8 were shown at The Photography Show. Due to Panasonic UK announcing the launch of the GH4 early from the trade show and professional demand, more people are asking the whats and hows of the GH4’s video capabilities; in regards to 4K.

It is the first consumer DSLR to offer 4K, which is a fantastic leap forward into the future of video production that will inevitably get bigger (Moore’s law). We have seen recent demonstrations of Super Hi-Vision (8K) at the London Olympic games from collaboration between NHK and The BBC, but for the first time have we seen 4K possibilities coming home with us. It is now in reach.

Today, John from JHWF, his son Sam and myself headed down to Park Cameras in Burgess Hill for the Panasonic GH4 demo. Eager to try out the camera, and by that I mean actually get your hands on it and play with it, checking out the range of functions and lenses that can be used (something not so easy at trade shows), it was the perfect opportunity to get a glimpse into the reachable future for us as producers. Even more so for John, as he as already invested!

panasonic gh4 demo day dslr 4k camera dslm video

Adam from Panasonic was on hand to answer our many questions, and to demonstrate the innovative features the camera has to offer, which include continuous auto-focus in video mode, as well as how the 4K is achieved from an MFT sensor, and many more..

First of all, the body is tiny. If you compare the body to that of my Canon 5DmkIII it could easily be half the size; which for run and gun videographers, and to keep discreet is a perfect solution. Not only that, but like the Sony A7, you have a large pixel count/density sensor so regardless of the body size the image result will be incredible.

panasonic gh4 demo day dslr 4k camera dslm video recording format screen

The sensor offers the two 4K resolution standards; cinema 4K at 4096 x 2160 and UHD 4K at 3840 x 2160 up to 30fps at either 200Mbps (All-intra compression) or at 100Mbps (IPB compression), which is much better in terms of .mov image quality in comparison to the 5D mkIII max 90Mbits at All-Intra compression. Essentially this means that your image is being recorded in a better quality format, giving richer colours, wider dynamic range and more latitude for grading in post. The HD video format is top notch, offering up to 200Mbps in MP4 format, much better than nearly all DSLR’s on the market today.

Due to the MFT sensor, the focal length of the lenses you mount are doubled for the equivalent. For example a 12-35mm F/2.8 is equivalent to  24-70MM f/2.8 ON A Micro Four Thirds sensor. This means that suddenly the size of the lenses you use get greatly reduced, meaning a smaller kit bag and less back ache at the end of the day.

panasonic gh4 demo day dslr 4k camera dslm video recording format screen mft lens 100 300mm

A run and gun kit using the GH4 could include the 12-35mm as mentioned above, and the 14-140mm F/3.5-5.6 is enough to cover your indoor and outdoor shots, and can fit in a small shoulder bag. What more could you ask for?

The dual OLED screens replicate the live sensor beautifully, with such clarity too. Now a live view finder has been implemented into the view finder, you get an incredible 10,000:1 contrast ratio which is extremely high speed, unlike LCD which refresh rate is much slower. No need for a Z-finder anymore! Oh by the way it is touch screen too, and you can focus and take a photo by tapping the area of the screen you would like to focus on!

IMpanasonic gh4 demo day dslr 4k camera dslm video recording format screen mft lens OLED dual live view finder touch screen

Another incredible feature was the built in Wi-Fi which can be used to control most of the cameras functions INCLUDING touch sensitive focusing and recording (in 4K) via your Apple of Android device! So, leave your camera set up with the Wi-Fi connected to your device and set up your shot from elsewhere! In the right situation, this feature could be killer, much like the GoPro’s wi-fi function for those awkward and obscure shots!

panasonic gh4 demo day dslr 4k camera wi fi

More professional video features include; zebra bars for setting exposure, center marker for image composition, colour bars and 1KHz tone, synchro scan which is useful for suppressing TV and fluorescent light flicker and a Cinelike gamma curves which can be applied. This would come in handy for productions where heavy grading and LUT’s can be applied.

There is also the YAGH interface, which was not at the demo, but its functionality is to provide a DC-12V power input to the camera and interface, which allows 4:2:2/10 bit recording with XLR inputs, timecode, VU meters, which turns the camera from a pro-videography/cine camera to a full system camera for broadcasting. Adam showed us some setups on his phone from recent Hollywood productions using the GH3.

As you may know, I purchased my 5D mkIII in December, for videography/cinematography. To me, I don’t know if I should feel pissed off that I should have waited for the GH4 to be released so I can future-proof my productions, or whether I should jump in and get another A camera right there and then. But then I thought, I have an incredible camera system right here already, and just because this (yes rather amazing) new resolution has become available, doesn’t mean my potential clients will want it. At the moment the current structure and system for broadcasting 4K in the mainstream media of television is non-existent, until the big change happens which means either updating current HD systems to cope with the greater requirements of 4K, or a completely new 4K network is created, the only channel for viewing will be the internet, or cinema. So, if your deliverables are all for YouTube, then go for it, you have a way to get your work out there in its native resolution already. Otherwise, be prepared to down-scale to 1080 HD for normal playback. This may have fantastic results for you, and keeps the incredible clarity, colour richness and the ‘wow’ factor that 4K is now being renown for.

If you are a current Canon/Nikon or other brand shooter, then the answer to your question is not “You will need to buy new lenses for this camera”. A few manufacturers haave designed and produced many workarounds to lens to mount converters; famously Metabones, but also LensAdaptor are worth checking out if you currently shoot with non-MFT lenses. These adapters fit onto the body and lens and effectively allow the lens to be used with a different lens mount.

To conclude, if I had the money I would happily invest in the Panasonic GH4 and not only for the 4K. The high data rates even for 1080p HD are high enough to be broadcasted which opens up what I can deliver for my clients, the kit is smaller so I get less back ache, the Depth From Defocus system allows continuous auto-focus during video, up to 96fps slow motion recording in 1080p HD, Wi-Fi control. I’d be really interested in testing this camera out in a ‘Great Camera Shootout’ review, so clear up the rest of the questions I have about not only capturing video in 4K, but also to see how the MFT 16Mp sensor holds up against the Canon 5D mk III which with Magic Lantern can record RAW.. We shall see, only the future will tell!

panasonic gh4 4k dslr camera demo test day park cameras 1

Please bear in mind that I have never captured footage in 4K, or worked with a 4K camera, footage or system. So what knowledge I am basing this on is my university dissertation in implementing 4K programming into the current UK broadcasting industry, copious research into 4K cameras, technology and productions, attending IBC and many other trade shows to understand the up-to-date technology available.

 

Update from Adam!

It has been a very busy couple of weeks since BVE, which by the way was great this year. I was over the moon to see the new finalized range of Manfrotto LED Spectra light panels which I got to test out a couple of years ago. Seeing products develop over a long period of time is interesting, even more so when your opinion is considered in how the final product should perform.

Manfrotto also had their re-designed SIMPLA rig to demo, a much lighter and more ergonomic model I must say which is compatible with 15mm rig accessories like their matte box and electronic remote control.

schneider kreuznach optics lens for cinematography bve 1

As well as that, Manfrotto have also joined forces with Schneider Kreuznach optics (page in German), who have a new range of cinema lenses, specifically designed with ease of use in mind. All of the lenses from 24mm to 135mm have the same filter size, length and focus rotation to make filming with a range of the lenses effortless, simply change the lens and your peripherals stay in position. The optics of the lenses blew me away. Even in the well lit Excel, the background bokeh was stunning, soft yet so crisp. I cannot wait to get my hands on them. I think the combination of the new Manfrotto 055 tripod, the SIMPLA rig and Schneider glass will be a killer cine kit, delivering incredible visuals, making your shoot run smoothly, and at a low cost. Give it a year and this will be the go to package for production rentals, and part of every kit bag.

schneider kreuznach optics lens for cinematography bve 2

In other news, I’ve been working with EEBC on a couple of projects; a short video on recycling and another about a Wellbeing centre for those suffering with dementia and their carers. Both projects have messages that are close to me, so I’ve been working hard to blow my clients expectations out of the water. For the recycling video, I’m combining video with animation to show why recycling food and material waste is ever more important today; generating renewable electricity and resources. The Wellbeing centre video will be live action video, featuring the range of activities available to those in the community as well as the vast benefits to carers and visitors to the centre.

So, busy busy at the moment. I’m also meeting some designers from the fashion label ACF (Art Comes First) next week about another video featuring the design process here in London. Very exciting, I’ve been patiently waiting for an art-collaboration project to come along, it’s what I started the business for!

I’ve had no #videoquestions for a while, so remember to keep them coming to @Plowman91!

Remember, inspiration is everywhere so take your camera with you!

excel centre bve london photo camera dslr inspiration

EDIT!!!! Just remembered to include this, I spoke to an un-named informant about the new Samyang/Rokinon VDSLR cine lenses and whether any new models are going to be released. Our brief chat resulted in confirming rumours of a 50mm and 135mm cine lenses coming very soon! I think it’s exactly what the lens range needs, and I will certainly be investing in the 135mm if it is at T/2.2, or pushing it at T/1.8 would be a dream come true. So hear my thoughts Samyang/Rokinon!

Silence is golden, Planning is key!

A new #videoquestions is out today on how to plan your video production so it runs smoothly, and is within your time and money budgets!

I’m out for a pre-vis meeting this morning for a video that combines animation, where planning has been a very important role in creating a narrative and generating an estimate price for the production. I’ll share my work with you in this#videoquestions later today!

saul bass alfred hitchcock psycho shower storyboard